The Newsroom Season 2 and Social Media – Why Producers are Listening and How You’re Contributing to Your Favorite TV Shows
I only started with The Newsroom Season 2 very recently. As
much as I love how the storyline is developing, the first thing I noticed is
that they changed the opening theme.
Back when I started watching the first reason, I remember
writing a review (see The Newsroom TV Show Review) where I said:
"I’m not sure if I like the overly dramatic and old school style OBB or introduction video and soundtrack. In my opinion, it could have been more edgy and modern. I am guessing it is some sort of homage to old school newsroom themed drama."
Is it possible that the production team of The Newsroom is
listening? And no, I am not thinking that they saw my post specifically
(although it’s philosophically possible that the world revolves around my life,
at least from my own perception). These people and their marketing team are
definitely using social listening tools to monitor for feedback and sentiment
of their audience.
It’s amazing how social media is transforming traditional
media. I remember back when I used to watch Lost, I saw a lot of fan-made storyline and
theories that are way better in many online forums and fan websites than what
happened in the actual show. Social listening is not just useful for brands but
also for TV show writers and producers.
Now, feedback can be real-time. And it’s not just limited to
monitoring Facebook pages or Twitter hashtags as most traditional marketers see
new media: tools like Radian6 can go beyond those and remove clutter from
forums, YouTube comments, blogs, and anything that is social. Remember that
social media is not limited to Facebook and Twitter alone.
For big cable channels like HBO, the stage is definitely
global and traditional marketing techniques like getting a sample group and
conducting a focus group discussion just won’t cut it anymore.
And Radian6 is the only tool I am aware of since that was
the example we were exposed to during one of the courses I took for the
Ateneo-CDMP. My colleague in Globe was telling me how there are other variants
and tools used for both listening and engagement.
Brands are now more reactive than ever and every time you
express your sentiments about a brand you are somehow contributing in its
transformation.
It’s a bit of a hipster thing to say but it might be a bit
harsh on art in itself as this kind of model makes the writer reactive to its
audience instead of writing for writing’s sake. It could make the art dependent
the on sentiment of others and not of the artist’s. From a marketing
perspective, this is great, but tyranny of the majority or an internet mobrule
of sorts may lead a show into its own demise. The same was expressed in one of
the episodes of The Newsroom in season 1 (see my post on the debate of ratings drivingn content vs content driving ratings).
But I am more hopeful than cynical. I think it’s a good idea
to be able to make the audience unconsciously pitch ideas to producers and
somehow collectively crowd-sourcing a healthy percentage of the show’s content.
And what more as television in general continues to become more and more digital? The future is exciting. Anyway, I've been late and I need to catch up so I'm off to watch some more.
And what more as television in general continues to become more and more digital? The future is exciting. Anyway, I've been late and I need to catch up so I'm off to watch some more.
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